The initial seeds for what would become my current work-in-progress were planted in 2002. A friend of mine was trying to join a fraternity and, out of curiosity I checked out their website. I was amused to see that they seemed to think that they were singlehandedly saving the world through their charitable work and it struck me: what if there was a fraternity that actually did save the world?
Given that I’ve always loved contemporary fantasy, it only seemed natural that they’d end up fighting demons and other supernatural nasties. I decided that, while this group masqueraded as a traditional Greek fraternity, they would really be an ancient order dedicated to fighting the forces of evil. Early on, I’d ruled out any connection with either the Knights Templar or the Freemasons, since those tropes have become rather tired by now.
I then set about coming up with a suitable protagonist. The result was Derek, an all-American guy who was descended from the Nephilim, which explained his physical prowess. He had a best friend named Andrew who functioned as a sort of dorky sidekick. While Derek was your typical college jock, Andrew was your typical nerd who lived for his books. Ultimately, both of them were to end up joining the fraternity.
The main antagonist was going to be a demon that had been trapped in a mirror that was in the college’s museum. Some students would be messing around with the occult and accidentally free him from his prison and then of course carnage would ensue.
Following advice I’d gleaned from some writing book whose name eludes me now, I made ridiculously detailed character bios for each of my main characters, including everything from their physical characteristics to their most embarrassing moments and their favorite songs. In retrospect, I spent way too much time on all this. Not only did it keep me from focusing on the Big Picture, but very little of it would likely be relevant to the story itself.
Once I’d finished everyone’s biography, I started writing. I got through about a chapter before I realized that I hated my main character. Writing him was like pulling teeth and I suspect it was because he was a Marty Stu. He was like those strong-chinned guys that you see in the razor commercials who have an admiring female pop out of nowhere to rub their freshly shaven jaw.
I knew it was a bad sign when I as the author was bored to tears by my main character. I was also less-than-impressed with the demon who functioned as the antagonist. Despite his copious backstory, he didn’t really have much of a motivation beyond being evil. And it really bugged me that he was little more than an ethereal Snidley Whiplash.
So I stopped writing for a long time and went back to the drawing board. All was not lost. I still liked the idea of the fraternity and I really came to like Andrew. He was a lot more interesting to write than Captain Cardboard. He wasn’t gorgeous and he had flaws, but he was witty and sure of himself. Upon reflection, I decided that, since I enjoyed writing him so much, he should be the main character.
Because I got distracted by many shiny objects, it was years before I seriously revisited my novel. It remained in the back of my mind and, off and on, I’d come up with new ideas for the plot. Then in Fall of 2008, I started to get serious about it again and I took the disparate ideas I’d collected over the years and molded them into a new plot. It was apparent that the story I wanted to tell was too big for just one book, so I started outlining subsequent books in the series. By the Summer of 2009, I had a series of four books roughly plotted and I was ready to start work on the first book in earnest.
I should add here that I actually began the first book in January of 2009, but I stopped after the first two chapters. In April of that year, I submitted the first chapter to a critique group at a local fantasy conference and was pleased that it received generally positive reviews.
Once again, I got sidetracked, this time by writing a short story involving the main antagonist from my novel. The story had some good points, but it was ultimately rendered un-usable by changes I made to the antagonist’s character.
During the Fall of 2009, I plodded away on the novel some more and managed to get ab0ut 20,000 words done by the time winter break rolled around. I basically devoted all of my winter break to writing and, as a result, I cranked out another 60,000 words by January 1, leaving me with a complete first draft.
So now I’m focused on editing my manuscript. I started by rereading it its entirety about a week after I’d finished it, but I decided to put it away for a while since a lot of the advice I saw on the ‘Net indicated that you should try to push your first draft out of your mind for a while before you start editing it. That advice chafed at the time, but I’ve come to acknowledge that it’s probably for the best. When revising, I need to be ruthless and I can’t do that if I’m still in love with my writing.
Even though the journey so far has been convoluted and at times frustrating, I can’t say I’d want to do anything differently if I had the chance to do it over again. My first attempts at a novel look painfully amateurish now, but they were mistakes that I needed to make. (And thankfully I saw the error of my ways before I’d written an 80,000 word manuscript featuring a boring protagonist and a stock villain!). This long, drawn-out process has also taught me that I really do love writing fiction. Even if I never get published, the satisfaction I’ve gotten from inventing this wonderful world will make it all worthwhile.